The mid-2000's supergroup do their best imitation of their post-punk and noise rock heroes.
Metallica finally gives the people what they wanted with Death Magnetic. Well, mostly.
Angel Du$t's Rock the Fuck on Forever is a unique entry in hardcore's canon. Imagine if you will, the Ramones - keeping the melodic hooks and raw sound in mind, except instead of the band looking to The Beach Boys and '50's Rock N' Roll for inspiration, look towards modern hardcore and several era's of rock-based pop music.
AFI's return to guitar driven rock-based '80s inspired pop music is a largely successful change in sound, though Crash Love ultimately proved to be the end of their mainstream popularity.
The British experimental mathcore outfit returns with their fifth full-length effort, Time Will Die And Love Will Bury It; a grand display of pristine musicianship, intricate songwriting, and raw emotion.
Anthrax's 2011 comeback record, Worship Music, featuring the return of "Classic Lineup" vocalist Joey Belladonna, is one hell of a return to form.
Transangelic Exodus is a consistent and well-paced profound musical statement.
You want to hate it. You can’t. You want to hate him. You... well, you might. Overall though, this release is so much better than you’d expect or want it to be.
The album starts out with the incredible "Night Letters", which rages out of the gate with Propagandhi's most metal moment ever [which is still true as of 2018!].
XXXTentacion's ? is an inconsistent project that essentially plays like a rundown of all the sounds he’s been known for thus far, including some incredible highlights and complete throwaways.
XTC alum's Colin Moulding and Terry Chambers make a triumphant return with Great Aspirations.
9-string bassist, CaotH, former bassist of the now-defunct Unexpect, brings a mix of electronic influences, djent-like heaviness, and vocoded vocals on his newest project.